Advance

Advance Info

  • Load-in is generally 2 hours before doors with soundcheck to follow. If you need more (or less) time, we can accommodate but let us know…in advance.
  • Doors are generally 30 minutes before showtime.
  • Guest List – 1 per member, maximum of 5. Guest list must be submitted to bartender before doors open – no changes/additions can be made once doors are open to public.
  • Soundcheck – Soundcheck is reserved for the last act (if you are playing last and do not require a soundcheck, please let me know.) If the last act is not loaded-in before the opener arrives, then the headliner act may forfeit their soundcheck. Soundcheck is not possible for second acts on three band bills. All soundchecks must conclude before door time.
  • Load-in – Load-in must take place before doors open. Once doors are open, the back door must be closed and locked for security purposes.
  • Load-out – During business hours, we request acts load-out of the back entrance only. Load-out must take place in-between band sets. The door must be locked securely while each act is onstage.
  • Band Parking – Parking is available in rear of venue. You can load directly onto stage from back door.
  • Green Room – Green Room is located upstairs from the venue and requires a separate key for entry.  Green Room is equiped with a private bath and shower.
  • Wifi – The network is Local 506. Email or see bartender for password.
  • Hotel – Please email for special band rates with Chapel Hill University Inn
  • Day of Show Phone Number: 919-942-5506

For Advancing or Technical Questions:

 Todd Dawson, General Manager at todd@local506.com  972-849-4341

Tech Specs

Our sound board is an Allen and Heath GL2200, w/ 32 x 4 x 2
24 mic inputs (21 Channels coming from stage). This acts as the FOH & monitor mixer.

 

FOH is a 2-way stereo configuration (JBL JRX 125 – 1 per side), w/ 4 18″ subs. Monitor mixes are sent from the aux section of the mixer.

 

Aux1 – monitor floor wedge 1 Yamaha SM15V
Aux2 – monitor floor wedge 2 Yamaha SM15V
Aux3 – drum monitor, 2 JBL SF125 cabinets

 

FOH signal processing (Alesis & DBX compressors are set up for inserts on channels or busses):
DBX 231 stereo EQ FOH
DBX 231 stereo EQ Aux 1 & 2
DBX 215 EQ drum fill
TC Electronic – M-350
TC Electronic M-1
Stereo RNC 1773 Compressor
DBX 266XL dual channel Compressor/gate
DBX 166A dual channel Compressor/gate
Alesis 3630 dual channel Compressor/gate

 

Mics:
6 Shure SM58
5 Shure SM57
1 Shure Beta 52
1 Shure Beta 58
1 Sennheiser 604
2 Audio Technica Pro37
1 Audix D6

 

6 channels of DI boxes (Behringer, ART, Horizon, Whirlwind)

 

Stage dimensions: 17′ deep / 15′ wide / 3′ high
There is a limited amount of space backstage. You may end up storing empty cases in your vehicle or trailer.
The live room is a good sounding room, and as such we rarely use drum overheads, hi hat mics, etc.

 

Sound check: We provide a full sound-check for the headliner, and the opening band will get a brief sound check before we open doors.

 

For touring engineers: Persons operating equipment of the Local 506 must be respectful of its limitations, and comply with the verbal input of the house engineer. Our house engineer has the discretion to pull any visiting engineer off the P.A. if deemed necessary to protect our equipment. Bands will be billed for damaged equipment in the appropriate circumstances.

 

Bands are responsible for any damage to but not limited to equipment including
microphones, stands, monitors, sound boards. Receipts for that night will be with
held from that nights settlement to cover the cost of any damage incurred.

 

For Advancing and Technical Inquiries:
Todd Dawson, General Manager at todd@local506.com  972-849-4341

 

 

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