All local shows will be advanced with [email protected], unless otherwise instructed. All national touring events will be advanced by the promoter of the show. You may reach out to [email protected] if you are unsure who to contact. 

Load in is generally 2 hours before doors, with soundcheck to follow. More or less time can be provided if we know in advance. In most cases, the headlining (last) band & the first band will receive soundchecks, with middle acts receiving line checks prior to their set.

If you have other questions, email!

Tech Specs

Local 506 Production Inventory

Front of House

Soundcraft SI Expression 3 digital console

32 channel Soundcraft stage box

Speakers

          FOH

•  4 PAS F/HS
• 2 PAS Subs
  

  Monitors – 4 Mixes

• 2 EV 1000w 15″ powered monitors
• 2 Yamaha CM 15V (Pair)
• 1 JBL 215
  

  Amplifiers

• Crown XT 4000
• Crown XT 4002
• QSC MX 5050
• Crown XLS 602
• QSC MX 2000

Microphones

• 3 Shure Beta 58A
• 6 Shure SM 58
• 4 Shure Sm 57
• 1 Shure Beta 52A
• 1 Audix D6
• 1 Sennheiser e835
• 4 Sennheiser e604
• 3 Sennheiser e609
• 2 AKG P170

• 1 Audix D6 DIs
• 3 Radial JDI
• 1 Radial Pro DI
• 2 Whirwind DI

Misc mic stands and XLR cabling

Stage dimensions: 17′ deep / 15′ wide / 3′ high
There is a limited amount of space backstage. If you have a large amount of dead cases, you may end up storing them in your trailer. The live room is a good sounding room, and as such we rarely use drum overheads, hi hat mics, etc.

Bands will be held responsible for any damage to, but not limited to, equipment including microphones, stands, monitors, and sound boards. Receipts for that night will be with held from that nights settlement to cover the cost of any damage incurred.