Sarah Shook And The Disarmers

A 506 New Years Featuring:

Sarah Shook And The Disarmers

Dex Romweber Duo

Sunday, December 31, 2017

Doors: 9:00 pm / Show: 10:00 pm


Tickets at the Door

Sarah Shook And The Disarmers
Sarah Shook And The Disarmers
Sarah Shook & The Disarmers is a country band with a sneer, a bite, and no apologies. Shook's original songs take on the usual country spin on shitty relationships, bad decisions, and excessive alcohol consumption for damn good reasons. Songs with self-explanatory self-deprecation, "Fuck Up", tangled in with a portrayal of a doomed relationship dripping with sarcasm,"The Nail", are bastioned by the subtleties of a bar patron considering taking a chance on a stranger in title track, "Sidelong".

When Shook's first band, Sarah Shook & The Devil, broke up after a solid three year plus run, Shook and her guitarist, Eric Peterson, continued to meet, practice, and plan. In late 2013 they put together brief stint called The Dirty Hands which ended after a handful of shows. The project they were looking for soon arrived with the addition of former Two Dollar Pistols' frontman, John Howie Jr., (now frontman for John Howie Jr. & the Rosewood Bluff) as drummer. Sarah Shook & the Disarmers was born.
Shook and chief engineer of Manifold Recording Studios, Ian Schreier, had worked together some years before when he supervised intern Mario Bianchi recording the Devil's seven song EP simply titled, Seven. Shook and Schreier had been discussing creating a full length album together for an age and, finally, during the first weekend of April, 2015, it happened. After nearly a decade of playing solo or fronting a band, Shook released her first full-length album, Sidelong, on October 16, 2015, at the Cat's Cradle Back Room in Chapel Hill, NC.
Dex Romweber Duo
Dex Romweber Duo
Dex Romweber is nothing less than an icon of the American music underground. Pioneering the template for the stripped to-the-essentials guitar/drums duo format in the (should be) world famous psycho-surf-rockabilly-garage-punk combo Flat Duo Jets—so often emulated, so rarely duplicated—Dex continues his resurgence with the new album Is That You In The Blue? With sister Sara on drums, the Dex Romweber Duo is a potent combo that’ll get your leg twitching with the beat and your heart racing -and sometimes breaking- with the feral excitement of music. If it don’t, you might want to consider turning in your “I Heart Rock n Roll” badge. Seriously.

In Dex, you have someone who burrows into the guts of American roots music with a uniquely alchemical mania; he’s a man clearly bored with, or oblivious to, genre constraints. With a mix of originals and obscure nuggets from rock and roll’s dusky back closets, the DRD romps through the sweaty cinder block studios of Memphis of the 50’s, channels street corners on the wrong side of town with existential blues and instrumentals that’d find a home in a Tarantino spy flick.

For pure rock and roll at its most glorious, Dex, his vintage Silvertone guitar and Sara’s wall of sound drums kick out the jams, mf’ers, on “Jungle Drums,” the dragstrip rave-up “Gurdjieff Girl” and the soundtrack for your next knife fight at the juvey home “Climb Down.” Bust out your hip flask and hand jive to heaven to that wicked Bobby Fuller beach party groove on “Wish you Would,” or strut down the Rio strand to the buoyant Bossa Nova throw down “Brazil”—a classic that runs a sonic spark plug from Xavier Cugat to Tav Falco’s Panther Burns.

Beyond the wild ruckus the Duo conjures so well, Is That You in the Blue? is colored by Dex’s broken romantic trips to the deep tunnel of un-love. From the slinky, cinematic revenge noir of “The Death of Me,” to the unhinged, edge of the abyss vibe of “Nowhere” to the jazzy, ghostly howl at the “Midnight Sun,” he’s on a dark and sometimes vengeful ride he ain’t taking alone. And the title track has as bitter and liberating a kiss off line that’s ever been sung, the one we’ve all wished we could have come up with when she was walking out the door.

For Is That You In The Blue?, recorded at Southern Culture on the Skids Rick Miller’s studio in North Carolina, DRD filled in their already formidable sound with Tarheel luminaries from the bands The Old Ceremony and Savage Knights, as well as Rick Miller himself and fellow SCOTS Mary Huff. Since their last Bloodshot album, Ruins of Berlin (2009), the DRD recorded a 7” single of hillbilly folk-blues with Jack White as well as a live album recorded at his Third Man record store in Nashville.
Venue Information:
Local 506
506 W. Franklin St
Chapel Hill, NC, 27516